‘Twas a temperate November evening last year that brought you, I and a wonderful live studio audience together so that the mysteries and layers of Zack Snyder’s “Sucker Punch” could be peeled back.
What did we learn about? Oh, just multiple realities, multiple attempted rape and some of the stupidest character names ever. It was a magical evening, and now those who weren’t there can get a taste of the magic, thanks to YouTube and podcasts!
And audio-only version available via iTunes (eventually) or below (right now)!
Huge thanks to our fabulous studio audience, Andrew Deutsch and the fine folk of Nerdstrong in North Hollywood for hosting, official bell-masters Aimee and Toni, live-tweeter Margaret Dunlap and Barrett Garese and Laurel Vail for additional production assistance. Plus, a very very special thanks to introducer and producer David Nett!
Do you want to be cool like them? Well, the next Liz Tells Frank: Live is COMING RIGHT THE HELL UP. Specifically, January 23 in North Hollywood. Even more specifically: “50 Shades of Grey.” Details and (free!) tickets here. (Inner goddess, save me.)
Fun fact: My mom knows about Bronies. I found this out when I mentioned to her that I was telling you about My Little Pony: Friendship is Magic this week: “That’s the show they like?” she asked, and I said yes. I did not say whether or not I understood why this group of young Internet-savvy men liked the animated rebirth of the franchise, because the honest truth is I don’t, really.
And I say this after having watched the two-part pilot episode of the series, written by now-legendary Lauren Faust and featuring no shortage of charm, adorable ponies, and surprisingly complex backstory. In fact, the plot for this show is so complicated that I’m going to leave the understanding-a-very-strange-subculture stuff for later. Right now, let’s meet some motherfucking ponies! Read the rest of this entry
About a year or so ago, you may recall, I told you about the John Carter
of Mars trailer, because (like many things I tell you about here) I thought it was pretty stupid. But for some reason I was cautiously optimistic about the film itself, based entirely on the fact that writer/director Andrew Stanton had made some pretty good movies already, and he seemed likely to keep a good thing going — especially because he was such a passionate fanboy about the source material.
Then, of course, the movie actually came out, and the reaction was literally mixed — to the point where I couldn’t really get excited. It has taken me WEEKS, Frank, to get through this movie and figure out what the hell it was about, and I wish I could tell you why that was the case. It just boggled me, you know? Boggled.
First realization, as I sit down to watch: It feels like it’s been a long long time since I’ve seen a movie with only one company in the pre-title sequence. Like, everything has like at least two production companies behind it these days — five, if you’re from Europe. But Disney’s the only company behind this movie. Which explains why they took such a bath on it. Read the rest of this entry
Today is a first: I’m telling you about a web series, which I’m fairly sure has never happened before (on this blog, anyway — I’m pretty sure I’ve told you about stuff in person, but of course that doesn’t count because it didn’t happen on the internet).
But Frank, as you are a man who appreciates transmedia narratives and Jane Austen (at least, I think you appreciate Jane Austen), you’ll be glad to know about this.
There are more adaptations of Pride and Prejudice than there are stars in the sky, but The Lizzie Bennet Diaries, which premiered on YouTube last April, is the only one that updates the characters as young, Internet-savvy vloggers, and uses multiple social media accounts to offer multiple perspectives on the classic tale of gossip, misunderstandings, stubbornness and (eventually) makeouts. Read the rest of this entry
There are people who watch a lot of TV in this world, and there are people who don’t — I’m clearly one of the former, but my level of engagement varies from show to show. There’s stuff like Doctor Who, around which I miiiiiiight go so far as to structure my social life (shuddup I do a podcast wait I’m not sure that makes it any better). And then there are shows I watch far more casually — yet do consume, do retain somewhere in the great dusty bankrupt Blockbuster Video that is my brain.
Damages is a perfect example of this — a show I have watched regularly since it premiered in 2007, and yet a show that has never had a firm grasp upon my imagination. I mean, I would recommend it to people, but I would recommend it as follows: “Do you like trashy John Grisham legal thrillers? Because if you do, you should watch Damages.”
But while Damages never pushed itself beyond the trashy legal thriller genre, the FX series (that later found new life on DirecTV) brought a new level of class to the trashy legal thriller genre, thanks entirely to its outstanding casting. Seriously, Frank, here are some actors who have appeared on Damages: Read the rest of this entry
Of all the elements of my genetic makeup I most hate, my addiction to romantic comedies might be number one. The lizard part of my brain that responds automatically to pop music montages, snarky best friends and dramatic climaxes where the girl runs down the street to tell the guy she loves that she loves him is not only annoying but time-consuming — I mean, Frank, do you KNOW how long it takes to rewatch all six seasons of Sex and the City mutiple times? (I do. But I’m not telling.)
I could be reading books, Frank! Real books with big words in them! Instead, I watch shit like What’s Your Number.
But in this case, I had real reasons for checking this movie out, aside from appeasing the girly moron within. First off: The film’s premise, which it could be argued is a refreshing twist on the standard romantic comedy plot lines, because it puts front and center the eternal question of how many dudes a lady can sleep with before society deems her a complete ho.
Except the movie basically answers that question…