Every once in a while, there’s the occasional question of how much longer the LTFWHI project can be sustained — we’re coming up on three years now, Frank, and well over 150 entries. (Not to mention two books!) That’s an awful lot of telling, right there.
But before this blog ever turns in its gun and badge, there are certain frontiers we have yet to explore. Certain things I have promised to tell you about that you should never be denied. Space: Above and Beyond is one of them.
Frank, as we’ve long since established, if you were a science fiction show made in the 1990s, I at least watched one or two episodes of you. And if you aired on Fox, I probably watched the full damn season you were allowed to air before getting canceled.
Pile on top of all that the fact that Space: Above and Beyond was created by X-Files producers Glen Morgan and James Wong, and I was SIGNED UP. Attractive young space marines dogfighting aliens in space? SOUNDS GOOD TO ME. Read the rest of this entry
So after we did the first season of “Star Trek: Deep Space Nine,” I’ve been asked by people about the possibility of doing the rest of the series. These people underestimate my laziness! However, vunderbar married people Sam and Terri just so happen to be watching the series from the beginning, and have graciously offered their individual perspectives on the second season. Take it away, guys!
Sam: For the past 9 years, I’ve been trying to convince Terri that Deep Space Nine is the best of all Star Treks. When Liz released Andreanna Ditton’s Farscape guide, I started thinking we could probably come up with a Season Two guide ourselves, with opinions from a longtime fan and a newcomer to balance things out.
Deep Space Nine is somewhat of a strange beast, especially two decades later when the special effects look wonky and the acting can get cringey, but it’s also a precursor to serial, huge-ass-arc storytelling in sci-fi (as well as television altogether). It’s Star Trek with deeply flawed characters that change over time. It’s Star Trek with villains that make you stare evil right in the face without being half as formidable as, say, the Borg.
What I’m getting at here is that as the show progresses, you’ll see the line between “good guys” and “bad guys” get blurrier as the characters fall deeper and deeper into chaos and despair and their victories become exponentially more hollow. Enjoy! Read the rest of this entry
It is weird, being here in the year 2013, and seeing what’s happened to Joss Whedon — see a man whose name was synonymous with “cult not-really-a-hit” no less than three years ago play puppet master with one of Hollywood’s biggest, most profitable franchises.
The Whedon-directed Avengers grossed all those billions! ABC picked up the Agents of S.H.I.E.L.D TV show he’s executive producing! He signed up for Twitter and got over 100,000 followers in like no time! Frank, Joss Whedon is en fuego!
Which is why it’s fun to look back at Whedon during his slightly more humble days — you know, when he had only three shows on television at one time–
Hmmm. It’s fascinating, isn’t it Frank, how Joss Whedon always seems like an underdog? Even when he’s doing insane things like making millions of dollars off a web series?
About a year or so ago, you may recall, I told you about the John Carter
of Mars trailer, because (like many things I tell you about here) I thought it was pretty stupid. But for some reason I was cautiously optimistic about the film itself, based entirely on the fact that writer/director Andrew Stanton had made some pretty good movies already, and he seemed likely to keep a good thing going — especially because he was such a passionate fanboy about the source material.
Then, of course, the movie actually came out, and the reaction was literally mixed — to the point where I couldn’t really get excited. It has taken me WEEKS, Frank, to get through this movie and figure out what the hell it was about, and I wish I could tell you why that was the case. It just boggled me, you know? Boggled.
First realization, as I sit down to watch: It feels like it’s been a long long time since I’ve seen a movie with only one company in the pre-title sequence. Like, everything has like at least two production companies behind it these days — five, if you’re from Europe. But Disney’s the only company behind this movie. Which explains why they took such a bath on it. Read the rest of this entry
You, like anyone else who checks in with the official Liz Tells Frank Twitter account, might have noticed that over the past few months, I’ve been spending some time playing a video game. This might not seem like a huge deal, except for the thing where I don’t really ever play video games — I mean, I enjoy the mind-fuck that is Portal, and I can still kick anyone’s ass at Street Fighter II (if you let me play Chung Li). But for the last fifteen or more years, video games have not been a part of my life — which is why it is SO WEIRD, how Mass Effect 2 COMPLETELY ATE MY BRAIN.
When I told you about the first Mass Effect last year, Frank, I did so with help from my friend Kate, because I hadn’t played it myself. I mean, the franchise sounded relevant to my interests, in a sexy Star Trek kind of way, but have I mentioned how I don’t really play video games? It wasn’t something I really considered an option for me.
Then my brother bought me ME2 as a Christmas present, and on a whim a few months ago I decided to crack it open and see how badly I’d do at it… Basically, your classic “meet-cute” love story. Read the rest of this entry