Monthly Archives: November 2011
One of the fascinating things about doing this blog is that I can never properly predict what gaps might need filling in your pop culture consciousness. For example, I know you’ve seen Dirty Dancing and Center Stage — but you haven’t seen Flashdance? Frank, what the hell.
Flashdance is worth knowing about for many reasons, but the most important might be that it launched the following things: a rage for shoulder-baring sweatshirts, the epic producing partnership between Jerry Bruckheimer and Don Simpson and the writing career of Joe Eszterhas, one of the geniuses behind Showgirls. That’s right — without Flashdance, there is no Showgirls and the world is a… Different place, definitely. Better? Worse? Who knows. I’m just saying, different.
Flashdance opens with our lady hero, spunky 18-year-old Alex, stopping to pet a cat while biking to work. What does she do at work? Holy shit, she’s a welder! She welds things! Read the rest of this entry
Liz, I’m filling this recap with links and you’re going to sit there and like it.
We open with everyone relieved that Bianca is gone. ME, TOO. Allison interviews that she is somewhat introverted. Maybe this will come up again, but probably not! I mean, this is reality television, not “lives mercilessly edited into a narrative” television, am I right?
Tyra Mail! What? Already? The Tyra Mail is a video message from Madison who is a YouTube sensation that I had to look up just now. She is cute as the DICKENS. Madison shows the girls how to use makeup for a bit, and then ominously says “Listen up, Aaaaaall Stars! My makeup lessons are a TREAT! But *I* really hope you can keep a beat! BYE BYE!” I don’t think I’m alone in thinking that Tyra should just cede the show to Madison. “Two booful girls stand ‘fore me, but I only have oooooooone photo in mah HAND.” You know it would be better, admit it. Read the rest of this entry
The idea/term/concept “transmedia” is meant to represent the concept of a story told across across multiple platforms — see, as one early example, the sequels to The Matrix, which were accompanied by a video game, comics and other ancillary content. The Matrix sequels suffered from a combination of being ahead of their time and also some supreme dumbness. Today, though, the concept of using multiple platforms to tell a story has become increasingly mainstream. Case in point: A little ol’ TV show called Castle.
As you know, Frank, Castle is an easygoing ABC procedural about a sexy mystery writer named Castle, who rides along with a sexy lady detective named Beckett while she and her detecting team solve crimes. It is the sort of nice little show that my grandmother would have really liked — every week, mysteries get solved, the main characters flirt, Nathan Fillion makes the occasional reference to Firefly and a good time is had by all.
In the context of the show, there are two reasons Castle hangs out with Beckett — one, because of the aforementioned flirting, and two (the “official” reason), his current series of “Nikki Heat” novels is based on her. What is amazing is that those novels? THEY EXIST. They have been written. They are New York Times bestsellers. And they are AWESOME. Read the rest of this entry