Every once in a while, there’s the occasional question of how much longer the LTFWHI project can be sustained — we’re coming up on three years now, Frank, and well over 150 entries. (Not to mention two books!) That’s an awful lot of telling, right there.
But before this blog ever turns in its gun and badge, there are certain frontiers we have yet to explore. Certain things I have promised to tell you about that you should never be denied. Space: Above and Beyond is one of them.
Frank, as we’ve long since established, if you were a science fiction show made in the 1990s, I at least watched one or two episodes of you. And if you aired on Fox, I probably watched the full damn season you were allowed to air before getting canceled.
Pile on top of all that the fact that Space: Above and Beyond was created by X-Files producers Glen Morgan and James Wong, and I was SIGNED UP. Attractive young space marines dogfighting aliens in space? SOUNDS GOOD TO ME. Read the rest of this entry
This might be one of the greatest public services Liz Tells Frank has ever performed — and I say that as a “Star Trek” fan. This Skip It/Watch It Guide comes courtesy of Whitney Bishop, who has found herself in the midst of watching the “Trek” universe’s voyage into progressive gender roles, and volunteered for this most sacred of tasks. Godspeed, Whitney. Godspeed. –Liz
The fourth series in the Star Trek universe, Voyager was an attempt to boldly go where nobody else we’d seen had gone yet, though in a manner that was pretty familiar. Long story short: a Starfleet ship goes looking for a Maquis (they’re the anti-Cardassian resistance-slash-terrorists, if you missed that bit) ship, both ships get pitched to the other side of the galaxy (the Delta Quadrant, as opposed to the Alpha Quadrant we all know and love), survivors of both crews wind up on the same ship (the eponymous Voyager), and they have to band together despite their differences to travel the 70,000 light-years back home. On the way, they have wacky adventures! So wacky. So incredibly wacky. Read the rest of this entry
Sometimes this blog is a place where I provide a genuine public service for you and others, by telling you everything you might need to know about a certain media item so that you never have to consume it yourself. And sometimes it is a place where I just tell you about something I liked recently, and urge you and others to check it out, and maybe I don’t reveal too much about it along the way to enable said checking-out.
We’re doing the second thing today. Continuum, Frank! A show worth checking out!
Well, very specifically, a show worth checking out if (like me) you cut your sci-fi teeth on The X-Files and other genre shows that were shot in Canada in the 1990s. I don’t know what it is about the combination of grey skies, pine trees, and low-budget special effects that I find so charming, but any time I even sniff a hint of Vancouver or Toronto in a show’s exterior shots, I feel like I’ve come home.
So Continuum, which is not only shot in Canada but IS CANADIAN and is actually SET IN CANADA, had an easy in with my heart. And we haven’t even gotten to the strong female protagonist yet! Read the rest of this entry
As you know because we are friends, there was nothing more formative for me as a lass than The X-Files. It indulged and deepened my love of science fiction, taught me the difference between procedural and serialized storytelling, and (most importantly) created a teenage ideal for future relationships that still lingers, ever so slightly (I have a thing for trenchcoats).
But I had forgotten until recently, Frank, how COMPLETELY EFFED UP The X-Files was as a comprehensive narrative. Especially (SO VERY ESPECIALLY) when it came to the core relationship between Special Agents Fox Mulder and Dana Scully.
No one would deny that the partnership, friendship and eventual romance between Mulder and Scully was the closest thing The X-Files had to an emotional center, especially myself. But when you look at the sequence of events that occurred over the show’s later seasons, it made NO SENSE, on a storytelling level or a human level.
Here is why I mention it. A few weeks ago, a friend of mine IMed me with a simple question that she had a valid professional reason for needing an answer to: “When do Mulder and Scully first kiss?” (Frank, it should not surprise you that I was the person she thought to ask that question.) Because Aimee signed off before I could respond, I was forced to send her the following email:
So this week, we have a VERY SPECIAL REQUEST, from a VERY SPECIAL YOUNG LADY. Your girlfriend Lauren (whose many wonderful qualities are not limited to, but do include, being a vocal fan of Liz Tells Frank) asked me a couple of weeks ago if I would tell you about a certain movie which she adores — one you’ve apparently resisted watching with her? For shame, Frank. For shame.
Okay, to be honest, I also haven’t seen this installment of American cinema’s most enduring and popular car-racing franchise. But this is Liz Tells Frank and Liz Tells Frank is all about keeping an open mind. Or is it all about being snarky and dismissive? Hmm. One of the two of those, definitely.
Anyways, let us begin The Fast and the Furious: Tokyo Drift (or, for sequel titling purists, 3 Fast 3 Furious), which opens with an introduction to the most American high school that ever was a high school in America. I mean, a bunch of football players slaughter a Indian pinata. The only way it could be more American is if they were simultaneously chugging high-fructose corn syrup and not voting. Read the rest of this entry