Category Archives: Skip It/Watch It Guide
Want to catch up on a TV show, but want to know what episodes you should watch and what you should skip? You’ve come to the right place.
Whitney’s back, you guys, because there are seven full seasons of “Voyager” and our lord and savior Hugh Jackman knows that you need to know which ones to skip and which ones to watch. Here’s Season 5 — Seasons 6 and 7 are coming soon! –Liz
Some notes: Remember what I said all the way back in the season three guide about Tom and B’Elanna being boring? (Liz sure does!) [I sure do! We still disagree about that! –Liz]
In fact, that relationship starts to be one of Voyager‘s strengths as it goes on — once it gets past the cringe-inducing courtship stage and settles into a long-term relationship, their boring is great! They’re together, but they’re not together all the time. Each gets appropriately worried when the other is in a dangerous situation, but not to the point of completely breaking down. It’s an actual, grown-up relationship between two people who have to work together. The show gets over the painful stages of OMG WILL WE OR WON’T WE and OMG WE DID AND NOW WE MUST NOT TELL ANYONE and settles them down into, yep, we’re dating, the end. And that’s lovely.
I’m picking on romance in particular here because this season made so many attempts at it, and they all fell flat — all, that is, with the exception of Tom and B’Elanna, which remained a quiet, pleasant background constant (more or less). Read the rest of this entry
She first appeared on the show when I was sixteen years old, and I felt she was about the worst thing Voyager had going for it. One of the reasons was, I will admit now, semi-petty: she was pretty, but she wasn’t just pretty, she was Space Magic Barbie, who had been dressed not only in a tight suit, but in a tight suit specifically made to corset her as prominently possible — and made absolutely no practical sense, to boot. Like, I understand how a plain bodysuit is a reasonably unfrivolous outfit, but really if they’d rescued a boy Borg instead, do you think they would’ve put him in a silver suit so tight you could see his balls?
And there’s nothing in the universe practical about those heels. Her core design was just so obviously someone’s masturbatory fantasy put on display to attract straight male viewers that I was uncomfortable as a young person, and I’m still more than a little uncomfortable now. (See also: Enterprise‘s Sex Vulcan — and boy, is that a show I’m not doing a Skip It/Watch It for. Or wait, here we go: just skip it.) Read the rest of this entry
It seems weird now that it’s pretty much the norm, but serialization is actually something that television — and Star Trek in particular — used to hate. The syndication model meant that shows had to be airable in whatever order the local broadcasters wanted to air them in, which didn’t lend well to embedded cumulative plots. Sure, there were certain shows that demanded strict continuity (see: Twin Peaks), but Star Trek series weren’t supposed to be among them. Deep Space Nine, in fact, got on the wrong side of its production company more than once when it made plotlines that stretched over several episodes. If you go read around on Memory Alpha, you see tons of instances where Voyager‘s cast and crew
alike make mention of this, usually grumbling all the way. Good for business, bad for art.
Season three is where the show’s lack of short-term memory really starts to show. Read the rest of this entry
Hey, did you ask Santa for more advice on avoiding the worst of “Star Trek: Voyager”? Only took him six months, but he’s finally delivering — in the form of Whitney Bishop. She’s already done Season 1 — now it’s time for Season 2! Enjoy. –Liz
One of the first problems with Voyager‘s second season is that… well, parts of it weren’t intended to be in the second season at all. The first four episodes were filmed to be part of the first season, but they got moved over and that weirds a lot of the timing.
So this season is bumpy from the get-go, and it doesn’t get much smoother as it goes along. Read the rest of this entry
This might be one of the greatest public services Liz Tells Frank has ever performed — and I say that as a “Star Trek” fan. This Skip It/Watch It Guide comes courtesy of Whitney Bishop, who has found herself in the midst of watching the “Trek” universe’s voyage into progressive gender roles, and volunteered for this most sacred of tasks. Godspeed, Whitney. Godspeed. –Liz
The fourth series in the Star Trek universe, Voyager was an attempt to boldly go where nobody else we’d seen had gone yet, though in a manner that was pretty familiar. Long story short: a Starfleet ship goes looking for a Maquis (they’re the anti-Cardassian resistance-slash-terrorists, if you missed that bit) ship, both ships get pitched to the other side of the galaxy (the Delta Quadrant, as opposed to the Alpha Quadrant we all know and love), survivors of both crews wind up on the same ship (the eponymous Voyager), and they have to band together despite their differences to travel the 70,000 light-years back home. On the way, they have wacky adventures! So wacky. So incredibly wacky. Read the rest of this entry
So after we did the first season of “Star Trek: Deep Space Nine,” I’ve been asked by people about the possibility of doing the rest of the series. These people underestimate my laziness! However, vunderbar married people Sam and Terri just so happen to be watching the series from the beginning, and have graciously offered their individual perspectives on the second season. Take it away, guys!
Sam: For the past 9 years, I’ve been trying to convince Terri that Deep Space Nine is the best of all Star Treks. When Liz released Andreanna Ditton’s Farscape guide, I started thinking we could probably come up with a Season Two guide ourselves, with opinions from a longtime fan and a newcomer to balance things out.
Deep Space Nine is somewhat of a strange beast, especially two decades later when the special effects look wonky and the acting can get cringey, but it’s also a precursor to serial, huge-ass-arc storytelling in sci-fi (as well as television altogether). It’s Star Trek with deeply flawed characters that change over time. It’s Star Trek with villains that make you stare evil right in the face without being half as formidable as, say, the Borg.
What I’m getting at here is that as the show progresses, you’ll see the line between “good guys” and “bad guys” get blurrier as the characters fall deeper and deeper into chaos and despair and their victories become exponentially more hollow. Enjoy! Read the rest of this entry