Normally, I guard the honor of telling of you stuff as sacred. But after John Ross recommended a most bloodthirsty selection of “Christmas” movies yesterday, I figured we could all use an antidote. So here’s our good friend Jesse Vigil — with a different approach!
I grew up Catholic and was educated by Catholics for 13 years, so naturally I am really good at swearing and having not the best relationship with faith. I am also a little Grinchy about Christmas, especially when it comes to starting the “season” prior to December 1st.
You might know me as a person who does not always have great taste in film. I do, for example, believe Michael Bay is an important artist whose dadaist celebration of the meaninglessness of “plot” has yet to be properly recognized. But I have a dark secret, Frank. Because I have seen over two dozen cable Christmas movies.
And no, we’re not talking about the classics. No White Christmas. No It’s a Wonderful Life. Not even Die Hard or Batman Returns. I’m talking about the factory-churned slew of contemporary Christmas movies that rose to prominence on Lifetime and then spread like cancer to ABC Family and even a thing I didn’t know existed: The Hallmark Channel.
I have relatives, Frank, and they watch a lot of these movies. I also stay up late, Frank, so I’ve seen more of them than my wife, whom the Sandman loves more than me. Last holiday I started live-tweeting the most outrageous discoveries I made about this whole genre of films and was asked by our mutual friend Liz to share my discoveries with you. So here are the Five Things You Need To Know About Cable Christmas Movies: Read the rest of this entry
I have a soft spot in my heart for movies that don’t really make sense. I don’t mean in a “oh my god what is WRONG with you people come on FIVE-YEAR-OLDS could write this shit better for fuck’s sake” sort of way. I mean in a “Wait, really, this is a movie that got made? Seriously?” way.
Such is the case with The Adjustment Bureau, which I rewatched this weekend for no real good reason but found as ridiculous the first time as the last. It’s not a BAD movie, Frank. But I’m still not sure how, exactly, it exists.
I know you love it when I spend thousands of words telling you what happens in a movie, Frank, but in this case you really don’t need a detailed description. Here’s what happens in The Adjustment Bureau, Frank: Matt Damon is an ambitious congressman who wants to be a senator, until he meets Emily Blunt, who is a reckless modern dancer. The two of them almost immediately start making out, so powerful is the power of their flirtytimes. But then some bureaucratic angels wearing magic hats– Read the rest of this entry