Monthly Archives: April 2013
Liz Tells Frank What Happened In The “Lost Girl” Pilot
Dear Frank,
For a while now, I’ve been hearing that I should check out Lost Girl, a Canadian fantasy import featuring sexy people, makeouts and magic. I normally am not a straight-up fantasy fan (due to the lack of space battles) but the voices called out, Frank. They demanded that you know about Lost Girl. And who am I to deny them?
Thus, fade in on a girl– Ugh, Frank, I’ve been watching too much Smash. Point is, meet Bo! She is a bartender, and she is hot, and while working she manages to dodge a creep who tries to force a roofied drink on her.
However, said creep then targets a sassy pickpocketing teen at the bar, cornering her in an elevator just as the roofie kicks in. Uh oh! Things do not look good for our sassy pickpocketing teen!
Until, of course, Bo shows up! Read the rest of this entry
John Tells Liz What Happened In “The Host”
Dear Frank,
Remember when our friend John told us about “50 Shades of Grey“? What a good time that was! And now he’s taking on another bit of “Twilight”-adjacent storytelling. Because Hugh Jackman forbid we actually watch “The Host” ourselves.
Love,
Liz
Dear Liz,
First, a quick disclaimer: When I saw The Host, there were teenage girls in my theater and they were all laughing out loud at the same parts that made me laugh out loud, so while I usually try to go easy on movies for which I know I am not the target audience, I have no qualms with tearing into this one. Besides, The Hunger Games was my favorite film of last year, so maybe I am the target audience.
Believe it or not, I didn’t know that Stephenie Meyer was a member of the Church of Jesus Christ of Latter-day Saints, but it doesn’t surprise me in the least. LDS church members are compelled to get married very early in life and abstain from sex until marriage, unfairly burdening all their romantic decisions in high school with the weight of eternity. So it’s no surprise that Meyer’s characters routinely struggle with their hormonal impulses as this directly conflicts with the marriage vows that they will eventually be bound to until the end of time. No doubt her work connects with young people growing up in similar environments, but for the rest of us it gets really irritating.
Ironically, no one is as preoccupied with sex as people who have been taught that sex is evil or sinful, and that’s what makes Meyer’s characters so incredibly frustrating: No matter what’s happening, you’d be hard pressed to get them to think about anything but their hormones for five fucking seconds! Read the rest of this entry
Liz Tells Frank What Happened In “Liz Tells Frank What Happened In… Volume 2!”
Dear Frank,
Cover design once again by the magnificent Asa Shumskas-Tait. Foreword by Lizzie Bennet Diaries co-EP Margaret Dunlap!
Book-exclusive entries include Mass Effect 3, The West Wing, Tucker Max’s I Hope They Serve Beer In Hell and The Courtship of Princess Leia. And it’s only $0.99! Perhaps take a look.
I’m not saying knowing what happens in I Hope They Serve Beer In Hell will change your life. But it just might.
Love,
Liz
Liz Tells Frank What Happened In “Jay and Silent Bob Strike Back”
Dear Frank,
An embarrassing fact about me: After 17 years, I forget how many movies, and no shortage of ridiculous antics, I still kinda love Kevin Smith. I’m not sure why. Maybe I have a hard time letting go of things I loved in my adolescence, or maybe there’s just something about his familiar patter that I find comforting — the point is, while I haven’t seen Red State or whatever else he’s been working on lately, I’m still deeply fond of him.
I say this because I stumbled into rewatching Jay and Silent Bob Strike Back yesterday — Hulu Plus didn’t even bother putting commercials on it, Frank! — and it was like finding a musty old afghan in the back of the closet, curling up in its familiar comfort, and trying to ignore the smells.
Jay and Silent Bob, Frank, is Kevin Smith’s fifth film in the so-called “View Askewniverse,” a universe of interconnected characters largely residing in suburban New Jersey but truly united by their love of big words, gay jokes and nerd references. Two of these films were grounded indie fare (Clerks, Chasing Amy), while Mallrats went the Porky’s-esque route and Dogma… Yeah, I’m not really sure what Dogma was.
The point is, Smith wanted to move on from writing films heavily dependent on catchphrases and drug glorification, and so he declared that Jay and Silent Bob Strike Back would be his final “Askewniverse” film.
He decided, Frank, to go out in style. By “style,” I of course mean “gross overindulgence.”
Liz Tells Frank What Happened In... 