There’s nothing like a good thrilling yarn, is there? So rarely, it seems, do I have time to curl up on the couch with a book that just grabs me by the neck and demands my attention — even if I know that I’m never going to read the book again, even if I don’t think the book is all that good, I still find that getting sucked into a story is one of modern life’s most potent pleasures.
Gillian Flynn’s Gone Girl, the hot book everyone was talking about a few months ago, was like that for me. I’m not genuinely sure I LOVED it (except for a few bits, which we’ll get to) but it was compelling as fuck, using its first-person POV narrative to carefully dole out secrets and surprises to the audience. And as news continues regarding the upcoming film adaptation, I find myself getting more and more excited to see it on the big screen.
What is it about the mysteries of Gone Girl that makes it work so well? I’ll tell you, Frank, but with this caveat — it really is a great read, especially if you like taudry scandals and gender roles commentary. If you (or anyone reading this) ain’t in the mood, I totally don’t blame you. If only because that validates the entire existence of this blog!
So, Gone Girl starts… Read the rest of this entry
I think a lot about Hunter S. Thompson — admiring, as you do, his insane approach to the art of writing, and also the conceit of “gonzo journalism,” of throwing yourself into a situation with no idea what might result, except (hopefully) an article recounting what happened. Or, at the very least, the author’s memory of what happened.
It’s this fondness for Thompson that makes me do silly things like volunteer to watch Netflix’s House of Cards in one giant binge on opening day. I might not have taken on the assignment for GigaOM if I had steady work at the moment, but in this time of employment-seeking, it’s nice to prove that one of my job skills is being able to watch an entire season of television in one day.
I wrote about the feel of the binge-viewing experience already, but what actually happens in the David Fincher produced/occasionally-directed political thriller that might just change television as we know it forever? Frank, I’m glad you asked. Read the rest of this entry