Man, Netflix is doing great right now. I didn’t, like, LOVE House of Cards, but it was interesting to watch, and from there the original series Netflix has been putting out have been on par with the network and cable television I’m addicted to…
Oh, except for Hemlock Grove. You LITERALLY cannot pay me to watch Hemlock Grove. I’d rather watch The Newsroom. And The Newsroom makes me MAD.
My point is — Orange is the New Black is great. What happens in it? Let’s go over the broad strokes! (I wrote “broad strokes” without thinking about the vast amounts of women and lesbian sex that are in this show. Hopefully, Frank, forgiveness might be found in your heart.)
I think a lot about Hunter S. Thompson — admiring, as you do, his insane approach to the art of writing, and also the conceit of “gonzo journalism,” of throwing yourself into a situation with no idea what might result, except (hopefully) an article recounting what happened. Or, at the very least, the author’s memory of what happened.
It’s this fondness for Thompson that makes me do silly things like volunteer to watch Netflix’s House of Cards in one giant binge on opening day. I might not have taken on the assignment for GigaOM if I had steady work at the moment, but in this time of employment-seeking, it’s nice to prove that one of my job skills is being able to watch an entire season of television in one day.
I wrote about the feel of the binge-viewing experience already, but what actually happens in the David Fincher produced/occasionally-directed political thriller that might just change television as we know it forever? Frank, I’m glad you asked. Read the rest of this entry